Posts Tagged ‘ gig review ’

Valley Fiesta @ Fortitude Valley

Venue: Valley Fiesta, Fortitude Valley
Date: October 24, 2009
Acts: Butcher Birds, SixFtHick, Vegas Kings

Jo Nilson’s mildly exasperated “Wake up Fortitude Valley!” is Butcher Birds‘ sole protest against a somnolent late-afternoon crowd too full of sun (and, presumably, booze) to bestir themselves and get into the tunes. Instead, the songs do the talking as the band powers through a set replete with cuts from new long-player Set My Bones.

The confidence is well placed: The Gate, Millions and Blood Message pitch a thumping, crunching bottom-end against fuzzing guitars and the sleek vocals of Stacey Coleman in the most toothsome fashion. Hook-laden fuzz becomes visceral, punk anger when Donovan Miller briefly steals vocals duties for Amp. Even if the punters are a little introverted today, the broad smiles of the Butcher Birds as they conclude with a screeching, dissonant cover of The Amps’ Tipp City shows at least four people in the Valley are keen to cut loose.

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Fourplay String Quartet @ The Tivoli

Date: July 25, 2009
Venue: The Tivoli, Brisbane
Acts: Fourplay String Quartet

Few bands could be as innately suited to The Tivoli’s lush interiors as the sonically eclectic Fourplay String Quartet. Coaxed all the way to Brisbane to feature in the Deborah Conway-curated 2009 edition of the Queensland Music Festival, the fourtet of Sydneysiders grace the venue with an exquisite set worthy of a far-larger audience.

Over the course of a little more than an hour, the ensemble treats a small, enthusiastic crowd to new material that shows they still have the creativity and talent to match their long-standing genre-crossing ambitions.

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Timothy Carroll @ The Troubadour

Date: July 19, 2009
Venue: The Troubadour, Brisbane
Artists: Timothy Carroll, McKisko, Kate Jacobsen

About three songs into a typically inveigling set of back-porch country tunes, a perfect cocktail of illness, alcohol and painkillers prompts Kate Jacobsen to artlessly observe that her strum patterns all seem to be the same.

There’s an underlying hint of truth, yet it matters not a whit as an appreciative audience laps up Cane Farmer’s Song, Kiss Me Gently, Don’t Believe In Jesus and couple of new tunes as well. Some things are greater than the sum of their individual parts — and Jacobsen’s plain-speaking fretwork, achingly sweet voice and poignant lyrics illustrate that in spades.

Folk-minimalist McKisko (aka Helen Franzmann) performs only eight songs. But what breathtaking advertisements for her talent.

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The Butterfly Effect @ The Tivoli

The Butterfly Effect

The Butterfly Effect

Date: July 10, 2009
Venue: The Tivoli, Brisbane
Acts: The Butterfly Effect, Dead Letter Circus, Calling All Cars

I sometimes wonder whether stunning art-deco venues in other cities snobbishly shy away from hosting metal and punk-inspired acts because of all the associated stereotypes of the acts — and the crowds they draw.

But, whatever the policy elsewhere, at The Tivoli, if it’s good enough for pop-starlet Katy Perry or Brazillian six-string legend Joao Rabello, it’s good enough for louder acts like Trivium, and tonight, home-town rock-metal favourites The Butterfly Effect.

The Butterfly Effect have brought Melbourne trio Calling All Cars and fellow Brisbanites Dead Letter Circus in tow, and a substantial number of people wedge themselves against the barrier from the get-go as the former take the stage.

If nothing else, Calling All Cars possess verve. Vocalist Haydn Ing flits around the stage erratically — first leaping onto the foldbacks for a thrash at his guitar, then teetering on the kick-drum of brother James Ing. The rocket-fuelled, fuzzing slabs of guitar underpinning their melodic punk never quite match the intensity of Haydyn’s piercing 1,000 watt stare, but tracks Hey You and Animal still deliver hooks in spades, while the Weezer-esque undercurrent in latest single Not Like Anybody offers an intriguing change of direction near the end.

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Drawn From Bees @ The Troubadour

Date: June 26, 2009
Venue: The Troubadour
Acts: Drawn From Bees, Only The Sea Slugs, Ball Park Music

The poppy, youthful innocence that local six-piece Ball Park Music exudes proves the perfect antidote for a rainy, miserable Friday night. The pure boy-girl harmonies of Samuel Cromack and Jennifer Boyce are instantly appealing, while jangly guitar hooks are nicely rounded by lashings of keys and trombone. Bright and joyous, they bounce along - seemingly without effort. It’s the early comers’ loss that nearly all are determined to be wallflowers.

Sydneysiders Only The Sea Slugs, perhaps inspired by their namesakes, serve up a musical melange that’s altogether more meandering. Soft psychedelic guitars, redolent of the atmospherics of The Church, evolve and transition at a pace marginally faster than glacial. Not that it’s ambient, but this drifty shoegaze style orchestrated by the lead guitarist-vocalist invites introspection. Thus it’s more than a surprise when nearly half-a-dozen punters spring up to dance their way through the last few tunes. Take that, genre stereotyping. Read more