Posts Tagged ‘ tiny spiders ’

Gig-going: the year 2012 in review

So, the survey says I went to 53 gigs in 2012. This is actually an increase on 2011, where I managed “only” 47, but down on the 2009 high of around 96. One a week is about right, I reckon. More than that just becomes exhausting.

It would have been more this year, but after a very active October gig-going feel away in November and December with a very below-par three gigs for that two-month period. I’m blaming both work and some ridiculous movie about a stupid fat Hobbit for that.

In particular, this is the first time in just about forever that I’ve not done a Christmas gig. Both the Darren Hanlon and The Gin Club Christmas bashes were on my to-do list but ultimately fell by the wayside. It’s been ages since I photographed either of those bands too, and I really would like to do so again. This year, I hope.

Busiest month was October with nine gigs in just 31 days. Heathen Skulls and Lawrence English were responsible for that: both toured some fantastic acts that month. Shellac, Benoit Pioulard and Grouper were outstanding. Yet September (with seven gigs) was the only month where I went to two in a single day: an afternoon effort at the Powerhouse to catch Dreamtime and The Moses Gunn Collective followed by a trek to The Waiting Room that night to see Do The Robot launch their fantastic album Midnight Mirage (the vinyl artwork is stunning). Read more

Tiny Spiders @ Sun Distortion Studios

October 27th, 2012

Tiny Spiders. Shooting details: f/1.4, 1/80s, ISO2000.

Date: October 6, 2012
Venue: Sun Distortion Studios, Brisbane
Acts: Tiny Spiders, Die On Planes

Tiny Spiders confess to being rusty and slightly out-of-practise. It still sounds damn good to me.

Die On Planes make a welcome return to the stage after a long absence. Even if it’s only a one-off (which seems likely) it’s a real pleasure to be pummeled by their sludgy, crunching stoner rock again.

No Anchor @ Woodland

Date: March 17, 2012
Venue: Woodland Bar, Brisbane
Acts: No Anchor, Whitehorse, Quiet Steps, Tiny Spiders

Tiny Spiders capture my love with an fabulous interplay of messy guitar wizardry and some of the most physical drumming I’ve seen since Liam Finn last toured. There’s an underlying blues catchiness, just roughened to fuck as though its come down with severe strep throat. The moments of squealing feedback like someone dragging fingernails down a chalkboard, but are the perfect brake on the groove when Innez Tulloch throws them into the mix.

There’s something wholly unearthly about Whitehorse’s doom-sludge sound. Sure the bass end of things could be used herald the apocalypse, but I think the real culprit is the high-pitched keen of vocalist Pete Hyde. It’s piercing and echoing like someone 10 doors away is having their testicles removed with a pair of pliers. Unnerving and just a little creepy, it’s what prompts me to purchase their latest vinyl.

No Anchor bookend tonight’s performance by splitting the mammoth 15-minute drone session that is Gatton Bohemia in twain. Strangely, it makes the final closing section feels almost like a teaser, and its brevity accentuates the gut-punch of the cacophonous feedback-riddled conclusion where Donovan Miller and Ian Rogers get really physical with their bass guitars.

Maybe it’s a concept prompted by compactness of the new EP. Each of the four tunes — one a cover of Big Black’s Jordan, Minnesota — is short, sharp and focused. If the band wanted to leave the crowd reeling through a continuous series of hammer-blows, then this 10-song, 45-minute set certainly accomplishes that purpose.